Feature film directed by Corin Hardy
Feature film directed by Jon M. Chu
Video game produced by Smilegate
Documentary directed by Stephanie Soechtig
TV spot produced by Mophonics
Video game produced by Monolith Productions
Feature film directed by Nikolaj Arcel
Feature film directed by Stuart Hazeldine
TV film directed by Stephen Herek
Feature directed by Brian Herzlinger
Feature directed by Jon Lucas and Scott Moore
Feature film directed by Greg Tiernan and Conrad Vernon
Video game produced by Giant Squid and 505 Games
Documentary directed by Leslie Small
Feature film directed by Kirk Jones
Television series produced by Disney/ABC
Television series produced by Marvel/ABC
Video game produced by Stoic Studio and Versus Evil
Feature film directed by Amin Matalqa
Feature film directed by Ben Falcone
Video game produced by Ubisoft
Documentary directed by Matthew Kaundart
Television series produced by Marvel/ABC
Amaya – dir. Jahmal Holland
Cease Resistance – dir. Reuben Guberek
December 17 – dir. Carissa Jimenez
Red Despair – dir. Martin Nevarez
The Garden – dir. Amy Yamasaki
The Mermaid – dir. Sarah Winters
The Other – dir. Christina Brous
The Rendezvous – dir. Nate Riegal
West – dir. Connor Capetillo
Composition and orchestration with Bruce Broughton, Eric Schmidt, and Jack Smalley; video game music with Garry Schyman; music technology with Patrick Kirst and Rich Schmunk; music editing with Kenny Hall and Chris Brooks
Mobile game produced by The Inventionist
Digital marketing for Adrianna Devlin
Composition and computer music with Dr. William Kleinsasser; composition and orchestration with Dr. Jonathan Leshnoff; classical guitar with Troy King
James Regan is an east coast native who now finds himself oddly confused by the location of the ocean. When he’s not being led astray by his nautically dependent sense of direction, James is a composer for film and video games in Los Angeles, California.
James moved to Los Angeles to attend USC’s Scoring for Motion Pictures and Television program, and to pursue his career in film music. Before USC, he lived in London for two years after graduating magna cum laude from Towson University in Composition. There he also studied and performed on classical guitar, a continuing endeavor. James’ passion for music started at an early age with the dulcet tones of the alto sax (not unlike that of a feral goose), which then transitioned over to classical guitar. But to find the drive for creating music, we must visit the turn of the century, where James was introduced to an early version of music notation software.
It was then that James made a brilliant deduction.
“Wait a minute,” he exclaimed to himself, “people can actually write music?!”
One does not come across a mind of such superlative deductive reasoning very often, and it is a moment to be treasured. Since then he has spent every day writing, practicing, and performing, striving to learn something new and continue improving. All for the goal of bringing worlds and stories alive on screen with his music.
In Los Angeles, James has worked on studio and indie projects of all types, composing, producing, editing, and recording scores for nearly all genres and styles. He has conducted and led recording sessions and live performances of Hollywood studio musicians and has worked with composers such as Brian Tyler, Christopher Lennertz, Garry Schyman, Tom Holkenborg, Austin Wintory and many others.
In his spare time James authors the webcomic James of No Trades, and enjoys eating, sleeping, and writing about himself in the third person.
James took the rough description I gave him and created the perfect theme music for my website. He is a talented professional with a strong creative vision and I look forward to working with him again.
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Feature film directed by Corin Hardy
Feature film directed by Jon M. Chu
Video game produced by Smilegate
Documentary directed by Stephanie Soechtig
TV spot produced by Mophonics
Video game produced by Monolith Productions
Feature film directed by Nikolaj Arcel
Feature film directed by Stuart Hazeldine
TV film directed by Stephen Herek
Feature directed by Brian Herzlinger
Feature directed by Jon Lucas and Scott Moore
Feature film directed by Greg Tiernan and Conrad Vernon
Video game produced by Giant Squid and 505 Games
Documentary directed by Leslie Small
Feature film directed by Kirk Jones
Television series produced by Disney/ABC
Television series produced by Marvel/ABC
Video game produced by Stoic Studio and Versus Evil
Feature film directed by Amin Matalqa
Feature film directed by Ben Falcone
Video game produced by Ubisoft
Documentary directed by Matthew Kaundart
Television series produced by Marvel/ABC
Amaya – dir. Jahmal Holland
Cease Resistance – dir. Reuben Guberek
December 17 – dir. Carissa Jimenez
Red Despair – dir. Martin Nevarez
The Garden – dir. Amy Yamasaki
The Mermaid – dir. Sarah Winters
The Other – dir. Christina Brous
The Rendezvous – dir. Nate Riegal
West – dir. Connor Capetillo
Composition and orchestration with Bruce Broughton, Eric Schmidt, and Jack Smalley; video game music with Garry Schyman; music technology with Patrick Kirst and Rich Schmunk; music editing with Kenny Hall and Chris Brooks
Mobile game produced by The Inventionist
Digital marketing for Adrianna Devlin
Composition and computer music with Dr. William Kleinsasser; composition and orchestration with Dr. Jonathan Leshnoff; classical guitar with Troy King
James Regan is an east coast native who now finds himself oddly confused by the location of the ocean. When he’s not being led astray by his nautically dependent sense of direction, James is a composer for film and video games in Los Angeles, California.
James moved to Los Angeles to attend USC’s Scoring for Motion Pictures and Television program, and to pursue his career in film music. Before USC, he lived in London for two years after graduating magna cum laude from Towson University in Composition. There he also studied and performed on classical guitar, a continuing endeavor. James’ passion for music started at an early age with the dulcet tones of the alto sax (not unlike that of a feral goose), which then transitioned over to classical guitar. But to find the drive for creating music, we must visit the turn of the century, where James was introduced to an early version of music notation software.
It was then that James made a brilliant deduction.
“Wait a minute,” he exclaimed to himself, “people can actually write music?!”
One does not come across a mind of such superlative deductive reasoning very often, and it is a moment to be treasured. Since then he has spent every day writing, practicing, and performing, striving to learn something new and continue improving. All for the goal of bringing worlds and stories alive on screen with his music.
In Los Angeles, James has worked on studio and indie projects of all types, composing, producing, editing, and recording scores for nearly all genres and styles. He has conducted and led recording sessions and live performances of Hollywood studio musicians and has worked with composers such as Brian Tyler, Christopher Lennertz, Garry Schyman, Tom Holkenborg, Austin Wintory and many others.
In his spare time James authors the webcomic James of No Trades, and enjoys eating, sleeping, and writing about himself in the third person.
James took the rough description I gave him and created the perfect theme music for my website. He is a talented professional with a strong creative vision and I look forward to working with him again.
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